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Muriel Ridley in The Pool,
'a wordless mediæval idyll, in one scene'
with music by G.H. Clutsam,
Alhambra, Leicester Square, London, 20 May 1912
The cast of The Pool
'London's love for dancing is shown by the success of the Russian ballets at Covent Garden, the triumph of Pavlova at the Palace, and the vogue of [Adeline] Genée at the Coliseum.
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Muriel Ridley, who appears to have been born about 1886, began her career in London with Nellie Chaplin (author of Court Dances and Others, J. Curwen & Sons, London, 1911), assisting her in 1907 at the Hampstead Conservatoire, Swiss Cottage, in a course of lessons entitled 'Ancient Dances and Music.' Details of Miss Ridley's subsequent engagements are sketchy, but in February 1912 she succeeded Natasha Trouhanova in the leading role of the nun in The Miracle (Olympia, London, 23 December 1911), the vast mediaeval pageant produced by C.B. Cochran and directed by Max Reinhardt.
Following her part in The Pool, Muriel Ridley remained at the Alhambra, then under the management of Monty Leveaux, George Grossmith and André Charlot, where she appeared in the revue, Kill That Fly (14 October 1912), written by Grossmith, with music by Melville J. Gideon:
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The above greetings card and others like it have been made to celebrate Terence Pepper's current exhibition at the National Portrait Gallery, London, devoted to Bassano's early 20th Century photographs of theatrical celebrities. Images of Gabrielle Ray and Gladys Cooper are featured in the exhibition as are some of their contemporaries on the London stage, including Gertie Millar, Moya Mannering, Gaby Deslys, Olive May and Gina Palerme. The exhibition runs until 31 August.
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© John Culme, 2004
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